HubbardStreet Dance Chicago, one of the country’s premier centers for contemporary dance, returned to the Joyce Theater last week for a two-program, two-week engagement. Program A was devoted to choreography by Ohad Naharin, Artistic Director of Israel’s Batsheva Dance Company from 1990 to 2018 and now its House
Gaga a practice developed by Israeli choreographer Ohad Naharin, is one of the most popular training methods on the global dance market. Structured as a metatechnique, or a system for negotiating techniques within one's body, Gaga teaches students to both draw on and reject multiple movement techniques to create their ownBatshevaDance Company. In Ohad Naharin’s “Hora,” no one is hoisted in a chair. The 2009 work takes place in a green room with a long bench along the back wall. Rising off that bench Featuringa selection of excerpts from Naharin’s repertoire, the 75-minute contemporary performance brings out the best in the Young Ensemble. Decadance is a dazzling experience, allowing the Bythe end of “Mr. Gaga,” a new documentary about Naharin from Tomer Heymann, even the most dance-illiterate viewer would enthusiastically agree. Naharin is best known as the inventor of
J. Go to almost any contemporary dance performance in the U.S. and you’ll see the influence of Ohad Naharin . Since taking the helm of Batsheva Dance Company
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